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Two notable victims of nitrate are “Singin’ in the Rain” and “Citizen Kane.” After 1951, acetate was introduced as a non-flammable option, but unfortunately, it decayed faster than nitrate film.ĭan Erdman at Media Burn is standing between two archival shelves, looking to the left with one hand on a shelf. In 1951, motion pictures were made of nitrate, which easily decayed or caught fire. In the United States, 75 percent of the 11,000 silent films were destroyed. The devastation on celluloid is monumental in terms of historical heritage and collapsing knowledge of cinematic vision. It’s no secret that most of the films made before the 1950s were lost due to fires, lack of care, and improper storage.
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It is imperative to Chicago history, and even more so on a larger scale in cinema. It’s also an abundance of historical references. It’s protective gloves and pulling reels. It’s lots of organizing and dusting off grimy surfaces. No one ever claimed that film restoration was sexy. I spoke to Dan Erdman, an archivist at the Media Burn, and Director Nancy Watrous from Chicago Film Archives, about the importance of preserving celluloid and the impact of film on history.
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The New York Times writes, “Like the vinyl long-playing record, the Polaroid camera and the manual typewriter, celluloid has attracted a generation of artists who have come of age in a digital world and have developed a nostalgic soft spot for analog.” The history of the moving image, important to Dean, exhibited the richness in color and the power of the projection. The exhibition set out to provide a physical display for viewers to see the difference between digital and celluloid. She exhibited a silent, 11 minute, 35mm looped film in the London museum. In 2011, visual artist Tacita Dean opened her exhibition “FILM” at the Tate Modern where she responded to the destruction of celluloid film. The image shows a film reel with a family surrounding a small child dressed in light clothing. She exhibited a silent, 11 minute, 35mm looped… Courtesy of Chicago Film Archives' Glick-Berolzheimer Collection.
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